AudioPixel courtesy of Aaron Wilson35,000 people storming the streets is not an event to be ignored—especially when the cause is linked to illumination. The city of lights? No we’re not talking Paris, instead Dallas, where last Friday night, the mega-watt Aurora Festival for one night only dazzled the Texan metropolis with 95 light-based installation pieces that were part-theatrics, part-art, but undoubtly full of energy.Centered in the city’s new burgeoning Arts District, this festival left no landmark or façade untouched by the flashing, visual explosion of light-meets-technology: the famously boxy Dee and Charles Wyly Theater, for example, had 3_Search’s 3D mapping projection of Dallas-scapes for a non-stop 5 hours, while at the Omni Hotel hosted a cascade parade of lights, which in turn was the largest video canvas the city has ever seen. Outside the hulking Winspear Opera House was Max Dean’s Robotic Chair, which yes, unraveled itself and put it back together again—all mechanically controlled but seeming of magic. Likewise at the end of One Arts Plaza was another mechanical installation, of umbrellas this time, opening and shuttering to the tune of "Singing in the Rain” by Peter William Holden that had folks audibly singing and dancing along. The entire spectacle, while unveiled at around 7pm, ended at midnight with a haunting performance at the Cathedral Shrine of the Virgin of Guadalupe with bells tolling paired to neon-light performance that for a moment could have made anyone believe in the higher powers of God.Blueprints and Perspectives by 3_Search Blueprints and Perspectives by 3_Search Lucellino Table Lamp by Ingo MaurerLight Dancers by Mari HidalgoThe Magnificence by JEFF SHARPE : BILL BURGESSThe Magnificence by JEFF SHARPE : BILL BURGESSDeer by Ren RowlandPoints of Life by Shane PenningtonStreet Stream by The Color ConditionFor more information, visit DallasAurora.comAll images courtesy of Mark Ford Photography.
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