. All images courtesy the artist and Jonathan LeVine Gallery
Invisible RuleThe disarray of modern life takes shape in levitating planetary masses created from outdated appliances and junkyard fodder. They hover above litter-ridden cities in Japanese artist Masakatsu Sashie's realist paintings, which tackle the maddening detritus we live with. His visions of oversized spheres, shedding old air conditioning units and TV sets, serve as a necessary reminder of the amount of waste humanity produces. The series depicting a dilapidated post-modern world is titled External Effect.The collection of hyper-detailed paintings is currently at Jonathan LeVine gallery in New York City. In the show's description, Sashie cites the Nobel Prize Winner, Konrad Lorenz, as one his sources of inspirations. Lorenzâs 1949 book King Solomonâs Ring: New Light on Animal Ways describes the scientific conditions necessary to create a âbalanced aquarium.â Sashieâs paintings allude to this idea of environmental equilibrium and the search of harmony in a world of excessive provocations.Like many artists who reference personal history for their art, Sashie reflects on his life growing up in a small town in Japanâa contrast to his urban-set paintingsâwhen creating External Effect. His hometown Kanazawa is described by the artist as a âminiature gardenâ that retains the resources of a modern town while still remaining hands-off from urban temptations.Inevitably, the excessiveness of modern-day life and the trash it inherently produces is unavoidableâa thought Sashie does not want humans to forget in the years to come. See a few seletions from Sashie's exhibit here:RedSee more from the artist on his website, here. His exhibition, External Effect, runs from October 15âNovember 12, 2016 at Jonathan LeVine Gallery in New York. To learn more details about the show, visit the galleryâs website, here.Related:Post-Apocalyptic Angels Comes to Life with 3D ProjectionsSurreal Photos of a Rainforest Filled with Gas StationsUtopian Architect Plans a Floating City Shaped Liked a Manta Ray
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