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Featured Works From The Gallery: Week 17

Each week we bring you our favorite projects from the Gallery, showcasing the best of what The Creators Project community has to offer.

You may have noticed our new online Gallery. It’s a place where creative professionals can showcase their portfolio of work, gain exposure, build their network, find collaborators, and become eligible for funding opportunities like The Studio. It’s also a place where fans of cutting edge creative work can discover new artists and inspiring projects. Each week we’ll be selecting a few of our favorites and bringing you the best of what The Creators Project community has to offer. To have your work featured, submit your tech-powered projects to the Gallery.

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Muid Latif: 100% Mobile Art Series

The mobile phone is quickly becoming a major creative tool, and we’re big fans. Here, graphic design artist Muid Latif uses his iPhone and other touchscreen devices to create digital artworks using iOS apps. In Langski Biru (above), which translates to Blue Sky, he combined photographs with textures and effects using the apps Pixl, FontShuffle, PhotoSplit and Pixlr-o-matic. Other iOS apps he uses include Photoshop Express, Decim8, BDD, qbro, Percolator, Prtcl, ComputerArt’s Visualator and Little Uzu. He hopes his work will inspire fellow creative types not to overlook the potential at their fingertips.

Lorenzo Cercelletta: Generative Vinyl Covers

Interaction and visual designer Lorenzo Cercelleta was commissioned along with a slew of other artists to design vinyl covers for the German-based minimal techno label, Really. Their logo is a triangle, thus the only criteria was to align the covers to form a triangle. Cercelleta took an abstract approach, thinking of the triangle as the space between three points in which infinite things can exist. When these three points are crossed, the triangle is visible.

Kamee Abrahamian: Kaleiderie

Kamee Abrahamian‘s obsession with digital collaging began when she discovered a box of old photographs under her grandmother’s bed after she passed away. Around the same time, Abrahamian started taking photographs of interesting textures she found on her travels. She combined these materials to create a series of beautiful vignettes, mashing-up the old photographs to recontextualize her own work, placing the results into a kaleidoscopic, neon dream world.